Hans Richter — Everything Turns–Everything Revolves

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“HANS RICHTER: Everything Turns – Everything Revolves” documents the tumultuous life of the Dadaist painter and pioneering filmmaker whose influence on modern art  in Europe and America remains mysteriously obscured in the history books. Like many in his generation, Richter emerged from the horrors of the First World War as a radical artist dedicated to throwing off the structures of a stale and brutal ruling culture. Richter is at the epicenter of major art movements of the 20th Century, among them Dada, International Constructivism, and Surrealism, as he strives to create a new social art.

After his seminal experimental abstract animation “Rhythmus 21″ changed the way that the world looked at films, Richter collaborated with and organized the most important figures in modern art around film projects, encounters for the exchange of ideas and radical publications.  This list of collaborators is a role call of the luminaries of modern art – Marcel Duchamp, Man Ray, Fernand Leger,  Darius Milhaud, Alexander Calder, Hans Arp, Jean Cocteau and Sergei Eisenstein.

After the Nazis forced Richter to flee Europe as a “Degenerate Artist” in 1941, Richter expanded his influence to the United States where he augmented his independent filmmaking and painting by directing the first film school in America dedicated to documentary at the City College of New York. Here Richter opened the world of film as art to a generation of young Americans whose idea of motion pictures was grounded in Saturday matinee Westerns.  Richter’s radical notions of  film as art also set the mold for The New American Cinema Movement in the 1960’s where he was the exacting mentor to experimental filmmakers such as Jonas Mekas, Maya Deren and Stan Brakhage.

A stunning film. Davidson captures the unbridled visual energy of this under appreciated radical artist and pioneer of cinema.
— Margaret Parsons, The National Gallery, Washington D.C.
Dave Davidson’s film is not only a portrait of Hans Richter and a voyage through modernism, it is also a picture of the history of the 20th century. A model of its genre.
— Philippe-Alain Michaud, Centre Georges-Pompidou, Paris

Hans Richter: Everything Turns – Everything Revolves premiered in 2013 in conjunction with the first-ever major retrospective of Richter’s work at the Los Angeles County Museum of Art and then moved to the Centre Pompidou – Metz and the Gropius Bau in Berlin. The documentary has inspired a parallel media project, Rescoring Richter, which examines the creative process of contemporary composers and sound artists as they create new soundscapes for Richter’s seminal avant garde films of the 1920s.

SCREENINGS: 31st International Festival of Film on Art (Montreal), Los Angeles County Museum of Art (LACMA), FrameWorks: Art on Film 2013 Series at The Jacob Burns Center, Sveriges Television (SVT), SoundTrack_Cologne 10, Lincoln Center for the Performing Arts, The National Gallery Washington, DC, Center Pompidou-Metz Metz (France), and Arsenal Theater Potsdamerplatz (Berlin)

Excerpts of this film were included in the Los Angelas County Museum of Art Hans Richter: Encounters exhibition
(May – September 2013), the Center Pompidou-Metz retrospective Hans Richter. Journey Through The Century.
(September 2013 – February 2014), and the Berliner Festspiele exhibition Hans Richter: Encounters at the Martin-Gropius-Bau (March – June 2014).

This film was the recipient of a New York State Council of the Arts Grant.